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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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RENI, Guido
Italian Baroque Era Painter, 1575-1642
Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration. |
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RENI, Guido
Hl. Matthaus Evangelist und der Engel
Technique Deutsch: Öl auf Leinwand
Dimensions Deutsch: 86 ?? 68 cm
Current location Deutsch: Pinacoteca Vaticana
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RENI, Guido
Anbetung der Hirten, Detail
1630-1642
Oil on canvas
Museo di San Martino
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RENI, Guido
Anbetung der Hirten
Date 1630-1642
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RENI, Guido
Der siegreiche Simson
Date 161 1- 1612
Medium Oil on canvas
Dimensions Deutsch: 260 ?? 223 cm
cyf
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RENI, Guido
Rosenkranzmadonna
Deutsch: um 1596-1598
English: c. 1596-1598
Medium Oil on canvas
cyf
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RENI, Guido
Portrat des Kardinals Bernardino Spada
Date Deutsch: um 1631
English: c. 1631
Medium Oil on canvas
Dimensions Deutsch: 222 x 147 cm
cyf
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RENI, Guido
Judith
. 1620(1620)
Medium Oil on canvas
cyf
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| RENI, Guido
|
Italian Baroque Era Painter, 1575-1642
Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
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